Ogromno bazo oboževalcev Gospodarja prstanov mora razveseliti novica: Jackson To Produce ‘The Hobbit’ After All (IMDb.com, 19.12.2007). Kinotožje tokrat brez podnapisov. Ni bilo časa, ob objavi je bila ura tričetrt na tri.
QuickTime datoteka: Kinotožje 020 (89 MB)
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25. december, 2007 ob 4:47
Je še kdo opazil reklamo za Yugo med 3:55 in 3:59? :D
25. december, 2007 ob 8:15
where are the epic battles?
25. december, 2007 ob 12:10
pa res, Yugo :):):)
25. december, 2007 ob 17:40
Thor, precenil sem, da se nam po filmu ne toži zaradi epskih bitk. Ali sem si dovolil preveč? Prebral tudi Hobita, ki se zaključi z eno takšno bitko na vznožju zmajeve gore, pa se zgodbe ne spomnim zaradi nje. Dosti prej zaradi dvoboja med Bilbom in Golumom pod zemljo, ki je pretežno beseden. Bitke so poudarjene v Jacksonovih akcijsko naravnanih filmih, ampak name niso naredile posebnega vtisa z izjemo dveh manjših spopadov: Balinov grob in orki na divjih psih. Najboljši momenti so zame praske med posamezniki: ko Gandalf izžene Sarumana iz konjskega kralja, napeto razmerje med Hobitoma in Golumom (ter Smeagolom) …
25. december, 2007 ob 22:35
[…] Gospodar prstanov. Zadnje dni sem spet veliko premišljeval o njem, kajti pripravil sem besedilo za Kinotožje 020. Stran Vesti se mi danes noče naložiti, zato prilagam video […]
26. december, 2007 ob 8:36
meni so pa v filmu bitke najboljše, ker zgodba ni niti približno tako dobra, kot v knjigi ;)
26. december, 2007 ob 10:48
Ah, tale recenzija bi bila lahko boljša… Glede na ta koliko vika in krika so knjige zagnale po svetu, bi se spodobilo filmu posvetiti več časa. Izpuščeni so bili krščanski motivi, pomen zgodbe iz ozadja itd…
26. december, 2007 ob 11:03
Fantje, dobri ste. Svaka am čast. Le tako naprej.
Urbi et Orbi;)
26. december, 2007 ob 13:23
@Mr_m, misliš več kot polosmo minuto, kot je dolžina videa? Ali misliš na daljše priprave? S temi sem le začel pred 10+ leti, ko sem bral Hobita … Pomen zgodbe iz ozadja; mogoče si ga kdo rad izdela in poveže zgodbo z dogodki po svetu. Vendar pravi Tolkien v spremni besedi, da zgodba nima takšnega pomena in da je hotel napisati samo eno dolgo štorijo. Njegova temna tvar Philipa P. cilja na razmere v naši družbi, GP pa tudi po mojem ne.
27. december, 2007 ob 20:54
Ej, ej, najbolj “veličasten” prizor ziher ni Moria and wossname, temveč panoramski let po postojankah turške signalizacije med… kako se že kliče? Amon Dinom in nekim brdom v Rohanu?
Tam je tudi glasba prima - paše not kot Top Gun himna med Kilmerja in Cruiserja.
27. december, 2007 ob 21:09
U, saj res! Manjka vam še tista “what-if” analiza razpleta filma, v kateri atletska blondinka Eowyn prebuta Arwen in jo vrže s tistega visokega spaceporta z belim drevesom in se potem poroči s temle švedom, kakosemužereče, Aragornom.
27. december, 2007 ob 22:40
J., postavil si prestrogo hipotezo; Eowyn ne bi nikoli sprašila Arwenove riti, nikoli, saj ne pozna dovolj karateja. Je pa našla uteho v Faramirjevem objemu, kar je film, se mi zdi, bežno namignil, ampak po mojem dovolj, da se nam ni treba kujati, da takšno zalo dekle ne bi šlo v nikakršne roke. V knjigi gre o tem na celi stran (hm, poglavju, Healing Faramir?).
O najbolj veličastnem prizoru še ni bilo govora, na mizo sta bila položena predloga za najbolj komični moment pa sceno z najboljšim glasbenim sklopom, kar vstopanje v dvorano Morije mora biti. Verižno svetlobno signaliziranje prek gorskega masiva med Gondorjem in Rohanom podobno mora soditi med najbolj veličastne momente, glasba takrat nažiga navdušenje, se strinjam. A imam pomislek: kako bi se medlo vžiganje tekočega ognja videlo na Google Videu? Preslabo? Tisto je pa res treba videti na boljšem mediju.
27. december, 2007 ob 22:51
Robert L. Tuva> Eowyn ne bi nikoli sprašila Arwenove riti, ker ne pozna dovolj karateja
Saj ima bridko sabljo!
Glede najbolj veličastnega prizora: Aja. Tudi dobro :)
Robert L. Tuva> Tisto je pa res treba videti na boljšem mediju.
Ja, saj jaz sem takoj šel pogledat “boljši medij”. Med 1:02:30 in 1:04:30 “razširjene izdaje” se dogaja.
27. december, 2007 ob 23:09
J., sabljo? Arwen zna čarati!, zatorej mora biti šele hudo, kadar podeli fizični udarec.
Med 1:02:30-4:30 je signaliziranje z ognjem? Dve minuti, res? :) Sicer se dobro spomnim, kako gre hobit prižgat ogenj, ki pride do Aragorna. Super prizor. Spomni me na značilnost Jacksonove režije, ki se jo opazi v več scenah: kako kdaj kamera nerezaje poleti iz ene scene v drugo. Deluje veličastno. Mislim da je takšen prav prizor, ko se gondorski steward v plamenih zabriše z visokega spaceporta (!), kamera se odzuma v zrak, nakar se začne bližati ob grajskemu mestu do tal, kjer se razzuma na bojno polje, povsod že orki pa veliki sloni. Mogoče sem zamešal z enim drugim prizorom. Podobno pa enkrat kaže ujetega Gandalfa, nakar se kamera spusti pod zemljo ob Sarumanovem stolpu. Ali pa prehod od visoke gore do Sarumana, ki čara slabo vreme. Takšnih prizorov je skratka več, zvezno prehajanje pa po mojem učinkovito kaže tudi to, pod kakšno dobro kontrolo je imel Peter J. vse.
28. december, 2007 ob 8:18
[…] Kinotožjem 020 sam nisem razočaran, po odzivih sodeč pa ni uspel. Da bi se dalo bolje pripraviti in več […]
28. december, 2007 ob 13:21
Prepričal sem kolega, da je naložil reč. FLV resnično ni kos prizoru, a vsaj zvok je slišati pristen:
http://www.youtube.com/watch?v=wXnh22tXBvE
28. december, 2007 ob 13:37
FLV “doesn’t do justice”, se strinjam. V kinu me je prizor povsem obnorel, se dobro spomnim.
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